The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.
The film follows the matrix of hierarchies and relationships involved in a transaction of seeds between the Norwegian town of Longyearbyen in Svalbard, an island in the Arctic Ocean, and the Bekaa Valley in Lebanon.
Samsara is a word that describes the ever turning wheel of life. It is a concept both intimate and vast - the perfect subject for filmmakers Ron Fricke and Mark Magidson, whose previous collaborations include Chronos and Baraka, and who, in the last 20 years, have travelled to over 58 countries together in the pursuit of unique imagery. Samsara takes the form of a nonverbal, guided meditation that will transform viewers in countries around the world as they are swept along a journey of the soul. Through powerful images pristinely photographed in 70mm and a dynamic music score, the film illuminates the links between humanity and the rest of the nature, showing how our life cycle mirrors the rhythm of the planet.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Heiko, 29, is a fun-loving dance teacher from Berlin. For the past seven years he has battled with a fatal illness. Just when his family and his friends had begun to get used to Heiko’s continued survival in spite of all the prognoses, he receives the diagnosis that he does not have much longer to live. He decides to return to his parents’ house to die. But even now, Heiko and especially his father, Jürgen, refuse to give up hoping for a miracle.
Meru is the electrifying story of three elite American climbers—Conrad Anker, Jimmy Chin, and Renan Ozturk—bent on achieving the impossible.
This is a paralyzingly beautiful documentary with a global vision: an odyssey through landscape and time, that is an attempt to capture the essence of life.
A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave's persona.
From the team behind Man on Wire comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling.
In 2013, Dima Ilukhin, the cousin of the film’s director and a soldier in the Russian army, died on duty in the Republic of Dagestan in the North Caucasus. He was 21 years old. This incident marks the starting point for Abaturov’s reflection on the military.
It’s 1994: a 13-year-old boy disappears from his home in San Antonio, Texas. Three and a half years later, he is found alive, thousands of miles away, in Spain. Disoriented and quivering with fear, he divulges his shocking story of kidnap and torture. His family is overjoyed to bring him home. But all is not what it seems. Sure, he has the same tattoos, but he looks decidedly different, and he now speaks with a strange accent. Why doesn't the family seem to notice these glaring inconsistencies? It's only when an investigator starts asking questions that this astounding true story takes an even stranger turn.
In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
The Cove tells the amazing true story of how an elite team of individuals, films makers and free divers embarked on a covert mission to penetrate the hidden cove in Japan, shining light on a dark and deadly secret. The shocking discoveries were only the tip of the iceberg.
Jackass 3D is a 3-D film and the third movie of the Jackass series. It follows the same premise as the first two movies, as well as the TV series. It is a compilation of various pranks, stunts and skits. Before the movie begins, a brief introduction is made by Beavis and Butt-head explaining the 3D technology behind the movie. The intro features the cast lining up and then being attacked by various objects in slow-motion. The movie marks the 10th anniversary of the franchise, started in 2000.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever changing humanity. He has witnessed the major events of our recent history ; international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes : a huge photographic project which is a tribute to the planet's beauty. Sebastião's Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
Michael Moore's Capitalism: A Love Story comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
Slowly and elegiacally, the camera glides at first over a forest shrouded in fog, then over a panorama of Rio de Janeiro. An off-screen voice tells us that Rio is a factory of dreams and nightmares, a city of transformations. In her essayistic film, director Evangelia Kranioti explores the poetic words of her transgender narrator Luana Muniz, who is herself an icon of Brazil’s queer subculture. Amidst a somnambulistic tide of images she enters the pulsating world of creatures of the night. A stream of consciousness from Brazil’s underground flows straight into the heart of the city’s street carnival. In between the masks and the make-up, the young, naked and new bodies and a spectacular firework display, people come into view who have undergone a transformation that makes it difficult to clearly ascribe them to any gender. A white clown leads us through the film’s visual universe in which, all of a sudden, raw-faced anti-government protests also put in an appearance